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Common Core Curriculum Framework
The Common Core Curriculum Framework was designed in the TUSDOffice of High School Leadership in the 2011-2012 school year.
Notes regarding use of this framework:
1. This structure will: Provide in-common definitions of anchorstandards Articulate district-wide enduring understandings for allTUSD ELA classrooms Support curriculum guide work for individualsites and classrooms through additional instructional andcurricular resources.2. In an effort to assist teachers inunderstanding the alignment between the standard ELA classroom andthe Culturally Relevant ELA classroom, this document
includes the following additions:
Sample essential questions Suggested activities in each standardand cluster Recommended texts to expand the scope of texts studentswill use during the year Sequenced topics (or unit headings) foreach class3. In keeping with the Common Core grade level bands,this document reflects both the 11 th and 12th grade CulturallyRelevant classes. The enduring
understandings and the Common Core standards for all ELAclassrooms in the 11-12 band are the same. At the 11 th gradelevel, the teacher provides scaffolding
and support through instructional design and activities. At the12th grade level, students are expected to work independently andproficiently. The distinctions
between the classes are found with:
Essential questions at each grade level Suggested activities ateach grade level Recommend texts specific to each grade levelSequenced topics for each class
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
Topics of Study
Explanation: the topics below reflect the content areas ofemphasis for each ELA African American Viewpoint class. As with thegeneral education ELA classroom,teachers have individual discretionin terms of the exact texts (from the recommended text list),quantity of text, and amount of time on topic. Through thesetopics
of study, teachers are able to align instruction and activitiesto Common Core standards.
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English 5-6
I. 1600-1863: ORAL TRADITIONSII. 1600-1853: SLAVE NARRATIVES
III. 1864-1916: Literature of Reconstruction and the GreatMigrationIV. 1937-1933: The Jazz Age and the Harlem RenaissanceV.1936-1950: The Birth of the Civil Rights Movement/Pursuit ofthe
American Dream
VI. 1950-1960s: Civil Rights and Social ChangeVII. 1970s-1980s:Black Power, Literary Criticism
VIII. 1990s-Present: Contemporary issues in African AmericanCulture(roughly 5 weeks per topic of study, will vary by teacheremphasis and textselection)
English 7-8
I. Race and Privilege in AmericaII. Equal Justice Under theLaw
III. PassingIV. Literary CriticismV. Keeping It Real
VI. Shock DoctrineVII. Black MasculinityIII. Black FeminismIX.Race and ClassThe Club Movement and the Working ClassX. DefiningBeauty
(roughly 4 weeks per topic of study, will vary by teacheremphasis and text
selection)
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
Strand: Reading Literature
Clusters in this strand:
Key Ideas and Details Craft and Structure Integration ofKnowledge and Ideas Range of Reading and Level of TextComplexity
Anchor Standards Assessment Summary: To become college andcareer ready, students must grapple with works of exceptional craftand thought whose range
extends across genres, culture, and centuries. Through wide anddeep reading of literature and literary non-fiction of steadilyincreasing sophistication, students
gain the ability to evaluate intricate arguments; and thecapacity to surmount the challenges posed by complex texts.
Instructional Resources:
Source: ADE/ELA Committee http://www.azed.gov
http://commoncore.org
See Appendix A for Text Complexityhttp://www.corestandards.org/assets/Appendix A.pdf
See Appendix B for Text Exemplarshttp://www.corestandards.org/assets/Appendix B.pdf
See Appendix C for Writing Exemplarshttp://www.corestandards.org/assets/Appendix C.pdf
Vocabulary:http://www.tn.gov/education/ci/doc/VOCABULARY.pdf
Diverse Learners:
English Language Learners: -(ELLs in an ELD Program will use theELP standards for English Language Development- See Standardsat
http://www.azed.gov/english-language-learners/elps/
For more guidance on the ELLs and the Common Core please seehttp://www.corestandards.org/assets/application-for-english-learners.pdf
For additional effective instructional strategies see SIOPStrategies at:http://www.misd.net/bilingual/ELL.pdf
http://www.azed.gov/http://www.azed.gov/http://commoncore.org/http://commoncore.org/http://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.azed.gov/english-language-learners/elps/http://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://commoncore.org/http://www.azed.gov/7/28/2019 TUSD draft African American literature curriculum
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
KeyIdeasandDetails
Strand: Reading Literature Grades 11-12
Cluster: Key Ideas and Details
Enduring Understanding: Imaginative texts can provide rich andtimeless insights into universal themes, dilemmas and socialrealities of the world. Literarytext represents complex stories inwhich the reflective and apparent thoughts and actions of humanbeings are revealed. Life therefore shapes literature and
literature shapes life.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How do texts written by black authors reflect a struggle forhumanity and human rights?2. Does every piece of literature by awriter of color need to be read with a critical lens of race orethnicity?3. What decisions do writers make in how to develop aparticular concept or idea?English 7, 8
1. How can literature serve as a vehicle for addressing issuesrelated to race and racism?2. How is the coming of age story bothuniversal and culturally specific?3. How does literature serve todeconstruct and challenge negative beliefs about race?4. How doesliterature reflect diverse perspectives and reactions to similarevents and theme?Standard Statements
The student reader will:
11-12.RL.1 Cite strong and thorough textual evidence
to support analysis of what the text says explicitly as
well as inferences drawn from the text, including
determining where the text leaves matters uncertain.
11-12.RL.2 Determine two or more themes or central
ideas of a text and analyze their development over thecourse ofthe text, including how they interact and buildon one another toproduce a complex account; provide
an objective summary of the text.
11-12.RL.3Analyze the impact of the authors choices
regarding how to develop and relate elements of a story
or drama.
Examples and Explanations
English 5, 6
1. Identify important themes, characters and writing styles inTheir Eyes Were Watching God.Write an explanatory analysis in whichyou examine the ways in which Hurstons decisions
regarding writing style (syntax), diction, and themes impactedthe development of the story and
the reaction of the audience.
2. Through a close reading of multiple texts (the plays, novels,short stories, poetry, essays, music,and art by canonical andnon-canonical Harlem Renaissance figures including Langston
Hughes, Zora Neale Hurston, Countee Cullen, Claude McKay, NellaLarsen, Richard Nugent,Alain Locke, W.E.B. Du Bois, James WeldonJohnson, Gwendolyn Bennett and AnneSpencer), examine how theartists reveal the struggles of black America in their texts,both
overtly and implicitly.
3. Work in small groups to perform key scenes from A Raisin inthe Sun, covering the playsmajor themes (assimilation, resistance,power, isolation, etc.). Through your performance,
demonstrate an understanding of the authors choices in staging,dia log, and characterization to
develop specific themes and storyline.
English 7, 8
1. After reading Othello, annotate the text in places whereShakespeare is reflecting Elizabethannotions of race in thecharacterization of Othello. Note where Shakespeare seems to be
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challenging concepts of black masculinity in that time period.In your dialectical notebook,
provide text evidence and a brief analysis to support yourclaims.2. In your literature circle book selection, trace theevolution of one or more themes or concepts
throughout the text. Use text evidence to show the authorsintentional choices in developingthe concept.
3. Evaluate diverse visual representations of black women indigital media to identify the overtand covert concepts that areillustrated. Create a visual synthesis (collage, posterboard,PowerPoint, digital short, etc.) to convey your synthesis ofthe concepts. Present to class for
critique and discussion.
In the previous grade band
Students were expected to determine the impact of figurative andconnotative words on tone,
examine how an authors choice of structure influences the text,and analyze multiple points of
view.
EXAMPLE INSTRUCTIONAL STRATEGIESSocratic Seminar
The Socratic Seminar provides autonomy for the students in acommunal format in which students must cite strong and thoroughtextual evidence to support
analysis of what the text says. Areas to explore include howauthors use literary techniques such as theme, characterization,plot, specific details, etc., within a
work. Information about the Socratic Seminar can be foundathttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.html
Plot Analysis/Conventions
Use picture books (Cinderella stories, fairy tales) to analyzeplot and to introduce common conventions. After reading a picturebook, students apply concepts
to another work of literature. For example, the novelEthan Fromecontains the same fairy tale elements as Snow White. For avariation of this, try introducing
a work of literature using one of the I Wish songs from anyDisney princess movie.
3x3 Literary Analysis of Plot for Central IdeaCreate a chart forstudents to complete which has three spaces for students tosummarize the plot in three words (noun, action verb, object) foreach of the
beginning, middle and end of the story. Then, chart three spacesbelow for students to write in three words (noun, action verb,object) to analyze the
development of the plot over the course of the text. Studentsthen use those sentences to determine the central idea.
Ruetzel, D. Ray and Robert B. Cooter. Strategies for readingassessment and instruction: Helping every child succeed. UpperSaddle River: Pearson
Education, Inc., 2003. Ruetzel and Cooters text provides 16chapters that highlight numerous strategies and resources that have proven to be beneficial in
assisting students with reading instruction.
http://www.saskschools.ca/curr_content/bestpractice/socratic/index.htmlhttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.htmlhttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.htmlhttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.html7/28/2019 TUSD draft African American literature curriculum
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
CraftandStructure
Strand: Reading Literature Grades 11-12
Cluster: Craft and Structure
Enduring Understanding: Literary text, like all creativeproducts, demonstrates style and craftsmanship. Readers can respondanalytically and objectivelyto text when they understand thepurpose or reason behind the authors intentional choice of toolssuch as word choice, point of view and structure.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How does form impact content in storytelling?2. How hasliterature served as a vehicle for addressing issues related torace and racism?3. Why might an author use literary devices such assarcasm, irony, or understatement?4. How have traditional oralforms such as folktales, riddles, idioms, jazz rhythms, spiritualsand blues shaped African American literature?English 7, 8
1.
How do the time, setting, mood, tone, and context of a literarywork shape our understanding of the concepts and themes itexplores?2. How have women writers challenged and enriched theliterary canon?3. How can writers challenge and change publicconsciousness?4. How have African American women writers contendedwith interlocking forms of oppression?5. How have African Americanwomen writers challenged and enriched the literary canon?
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Standard Statements
The student reader will:11-12.RL.4 Determine the meaning ofwords and phrases as
they are used in the text, including figurative andconnotativemeanings; analyze the impact of specific word choiceson
meaning and tone, including words with multiple meanings or
language that is particularly fresh, engaging, orbeautiful.(Include Shakespeare as well as other authors.
11-12.RL.5Analyze how an authors choices concerning
how to structure specific parts of a text (e.g., the choiceof
where to begin or end a story, the choice to provide a
comedic or tragic resolution) contribute to its overall
structure and meaning as well as its aesthetic impact.
11-12.RL.6 Analyze a case in which grasping a point of
view requires distinguishing what is directly stated in atext
from what is really meant (e.g., satire, sarcasm, irony, or
understatement).
Examples and Explanations
English 5, 6
1. In a syntax analysis, closely read folktales, riddles,idioms, and lyrics in blues,spirituals, and jazz, to determine howlanguage impacted meaning and interpretation.2. How has racelimited the writing style, diction, and themes in early works ofAfricanAmerican literature? Select 4 texts from our reading list tosynthesize your response and
present in a gallery walk informal presentation structure.
English 7, 8
1. Identify important themes, characters and writing styles ineach of the assigned texts,and then evaluate the ways in whichAfrican American authors were mindful of their
audience when deciding which slavery experiences to write aboutas well as the benefits
that came from choosing to write about slavery from anautobiographical standpoint.
Write your findings in a formal academic argument essay.
2. Contrast writers of the Western canon (Shakespeare andAngelou) and consider howtheir respective uses of figurativelanguage reflected culturally specific ideas as well asuniversalideas.
In the previous grade band
Students were expected to determine the impact of figurative andconnotative words on
tone, examine how an authors choice of structure influences thetext, and analyze multiple
points of view.
EXAMPLE INSTRUCTIONAL STRATEGIES
Change the Structure
Students change the resolution of a story and discuss the impacton rewritten tone/meaning/etc. This strategy helps studentsunderstand structure and how an
authors choices contribute to overallstructure/meaning/aesthetic impact. For example, Hester exposesDimmesdale. How does this change impact other
characters, minor plot lines, etc?
Choose a Word/Phrase
Students choose a word or phrase from literature that isinteresting, confusing, descriptive or relates to a literaryelement (figurative language) and write it
on a sticky note. The sticky notes are posted around theclassroom. Students then take blank sticky notes and silently readand comment on others
observations. Students then share their quotations and theirfavorite comments with the class.
Reconstruct the Plot
Expose students to works of literature that are not inchronological order and/or are told from various point of views.For example, in the novel Ellen Foster,
the time shifts and students must pay careful attention to whatis happening. One way to handle this is to have students create achart to track the time
period. They could then reconstruct the plot in chronologicalorder.
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
IntegrationofKnowledgean
dIdeas
Strand: Reading Literature Grades 11-12
Cluster: Integration of Knowledge and Ideas
Enduring Understanding: Competent readers can synthesizeinformation from a variety of sources including print, audio andvisual. Comparing andcontrasting text in a variety of forms orgenres provides a full understanding of the authors message/themeas well as the ideas being explored.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. What social conditions fostered the rise of politicalactivism and the Civil Rights movement?2. Does every piece ofliterature by a writer of color need to be read with a criticallens of race or ethnicity?3. How does text written by black authorsreflect a struggle for humanity and human rights?4. How are race,gender and class represented or neglected in early Americanliterature?English 7, 8
1. How does literature reflect diverse perspectives andreactions to similar events and themes?2.
How has literature served as a vehicle for addressing issuesrelated to race and racism?3. How is the coming of age story bothuniversal and culturally specific?
4. How does literature serve to deconstruct and challengenegative beliefs about race?Standard Statements
The student reader will :
11-12.RL.7 Analyze multiple interpretations of a story, drama,or poem
(e.g., recorded or live production of a play or recorded novelor poetry),
evaluating how each version interprets the source text. (Includeat least one
play by Shakespeare and one play by an American dramatist.)
11-12.RL.8 (Not applicable to literature)
11-12.RL.9 Demonstrate knowledge of eighteenth-, nineteenth- andearly-
twentieth-century foundational works of American literature,including howtwo or more texts from the same period treat similarthemes or topics.
Examples and Explanations
English 5, 6
1. After reading multiple texts regarding the American Dream,create avisual in which you represent the multiple perspectives ofthe American
Dream (including your own) and how those perspectives arefiltered
through race, class and gender.
2. Compare how a foundational Anglo-American writer and afoundationalblack American writer address a common American theme,such as the
American Dream (e.g., Fitzgeralds The Great GatsbyandEllisonsInvisible Man).
English 7, 81. Contrast the multiple perspectives of multiplepieces of early American
literature that represent the various populations in the countryin terms of
a constant idea (justice, role of women, freedom, equality,borders, etc.).
2. Compare the coming-of-age process described black womenwriters andblack male writers. In an informative/explanatory essay,contrast theperspectives of gender as they intersect with race.
In the previous grade band
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See AlsoThe Secret of TSL The Revolutionary Discovery That Raises School Performance Online PDF eBookThe “Instrument of Satan”: Anne HutchinsonRead Scarlet Letter (Barnes & Noble Classics Series) Page 2 by Nathaniel Hawthorne online for freeCreative Project Reflection/Viewing guideCURRICULUM NOT ADOPTED
Tucson Unified School District 9 | P a g e
Students were expected to analyze the representation of asubject or key
scene in two different mediums and examine how an author usessourcematerial in specific texts.
EXAMPLE INSTRUCTIONAL STRATEGIES
Ballad Writing
After familiarizing themselves with ballad themes and forms,students write their own original ballads, which they will performin small groups. Students
engage in self-reflection on their group performances and on theliterary characteristics of their ballads. Students read, analyzeand discuss medieval English
ballads and then list characteristics of the genre. Studentswill emphasize the narrative characteristics of ballads by choosinga ballad to act out. Using the
Venn diagram tool, students next compare medieval ballads withmodern ones.
Compare/Contrast
Students compare and contrast (in essay form, in chart form, invisual form) two writers from the same time period. Emily Dickinsonand Walt Whitman
work well for this type of activity because they seem to havenothing in common, but they both are rebellious and they bothrevolutionized American poetry.
Compare an Issue
Students compare text from a time period on an issue withhistorical events resulting from those beliefs. End with a seminarletting students draw andsupport their own conclusions. Studentsneed to synthesize materials and evaluate the information.
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
RangeofReadingandLevelofTextComplexity
Strand: Reading Literature Grades 11-12
Cluster: Range of Reading and Level of Text Complexity
Enduring Understanding: In order to meet the rigorous demands ofcollege and/or the workforce, students must be able to read andcomprehendincreasingly complex literary text. Through extensivereading of a variety of genres from diverse cultures and a range oftime periods, students will gain
literary knowledge and build important reading skills andstrategies, as well as become familiar with various text structuresand elements. When teachers
match students with challenging, engaging text in the classroomit creates an atmosphere that helps to nurture curious, capable andcritical readers.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)English 5,6
1. In what ways did slavery impact the development of blackidentity and by extension, black literature?2. How can differentvoices address a common theme or central idea in literature?3. Howdoes literature help us to understand the human condition?4. Howdid literature serve as a revolutionary force during the BlackPower movement?English 7, 8
1. Why did some blackAmericans use passing as a means toassimilate into white American society?2. How have African Americanwriters redefined Western literary genres to reflect their owncultural values and norms?3. How does literature highlight theflaws and strengths of a given society and relationships betweenits cultural and racial groups?Standard Statements
The student reader will :
11-12.RL.10 By the end of grade 11, read and comprehendliterature,
including stories, dramas, and poems, in the grades 11 textcomplexity band
proficiently, with scaffolding as needed at the high end of therange. By the
end of grade 12, read and comprehend literature, includingstories, dramas,
and poems, at the high end of the grades 11 text complexitybandindependently and proficiently.
Teachers need to match complex, grade-appropriate texts totheir
students.
Examples and Explanations
English 5, 6
1. Prepare for a Paideia Seminar discussion using our readingson race andsocial theory in order to discuss how black people haveconfronted racial
stereotypes that helped legitimize the existence of slavery fromthe time
they were first brought to America in chains; and how theidentity of
African Americans has been influenced both by the way othersperceiveAfrican Americans and by how they perceive themselves.Explore the
idea of self-definition. Discuss specific theories of race thatcontributed
to the enslavement of African Americans and connect thesetheories with
common themes in the slave narrative.
2. Read and connect excerpts from various African Americanauthors (i.e.,Narrative Life of Frederick Douglas, byDouglas;Incidence in the Life of
a Slave Girlby Jacobs, Confessions of Nat Turner by T.R. Gray,We
Wear the Mask by Dunbar and Minstrel Man by Hughes) toexcerpts
fromAdventures of Huckleberry Finn (satire) by Twain.
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English 7, 8
1. How are issues of race and racism and the juxtaposition ofblackness andwhiteness found in world literature across varioustime periods? Engage
in an extended research project in which you closely readseveral texts inseveral time periods and world regions to supportyour analysis.
In the previous grade band
Students were expected to read and comprehend literature,including stories,
dramas and poems in the grades 9-10 text complexity bandproficiently, with
scaffolding as needed at the high end of the range. By the endof grade 10,
students were expected to read and comprehend literature,including stories,
dramas and poems at the high end of the grades 9-10 textcomplexity band
independently and proficiently.
EXAMPLE INSTRUCTIONAL STRATEGIES
Audio Text
Students listen to a compact disc (online audio) of the textbeing read. Low-level readers/learners may be able to enjoy andcomprehend the more complex
concepts of higher order thinking skills while listening. Moreadvanced readers can follow along in the book to understand properpronunciation of new
vocabulary introduced in the text.
Music and Literature
Scaffold student learning of classic texts by introducing keyplot elements through video and song. For example, when introducing the poem The Rime of
the Ancient Mariner, show students the scenes from the teenmovie Telling You where the ancient mariner appears (he tells partof his story at a pizza
parlor). Then play Iron Maidens version of The Rime of theAncient Mariner, noting that the music dramatically slows down whenthe mariner is stuck on
the water. Show pictures of an albatross while the song plays.Students can then read the text with greater understanding.
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
Strand: Reading Informational Text
Clusters in this strand:
Key Ideas and Details
Craft and Structure Integration of Knowledge and Ideas Range ofReading and Level of Text Complexity
Anchor Standards Assessment Summary: To become college andcareer ready, students must grapple with works of exceptional craftand thought whose range
extends across genres, culture, and centuries. Through wide anddeep reading of literature and literary non-fiction of steadilyincreasing sophistication, students gain
the ability to evaluate intricate arguments; and the capacity tosurmount the challenges posed by complex texts.
Instructional Resources:
Source: ADE/ELA Committee http://www.azed.gov
http://commoncore.org
See Appendix A for Text Complexityhttp://www.corestandards.org/assets/Appendix A.pdf
See Appendix B for Text Exemplarshttp://www.corestandards.org/assets/Appendix B.pdf
See Appendix C for Writing Exemplarshttp://www.corestandards.org/assets/Appendix C.pdf
Vocabulary:http://www.tn.gov/education/ci/doc/VOCABULARY.pdf
Diverse Learners:
English Language Learners: -(ELLs in an ELD Program will use theELP standards for English Language Development- See Standardsat
http://www.azed.gov/english-language-learners/elps/
For more guidance on the ELLs and the Common Core please seehttp://www.corestandards.org/assets/application-for-english-learners.pdf
For additional effective instructional strategies see SIOPStrategies at:http://www.misd.net/bilingual/ELL.pdf
http://www.azed.gov/http://www.azed.gov/http://commoncore.org/http://commoncore.org/http://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.azed.gov/english-language-learners/elps/http://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://commoncore.org/http://www.azed.gov/7/28/2019 TUSD draft African American literature curriculum
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thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 13 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
KeyIdeasandDetails
Strand: Reading Informational Text Grades 11-12
Cluster: Key Ideas and Details
Enduring Understanding: Knowledge-based information is anever-changing expanding genre, which encompasses dailycommunication. The ability tocomprehend and analyze informationaltexts develops critical thinking, promotes logical reasoning andexpands ones sense of the world.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How does literature reflect the social and politicalstruggles of African Americans?2. What has been the role of publiceducation in shaping the cultural identity of black Americans?3.How does literature help us to understand the humancondition?English 7, 8
1. How are definitions of self and culture shaped byneighborhood and community?2. In what ways does passing bring forththe possibility that race, gender, and ethnicity are sociallyconstructed?3. How has racism affected blackAmericans? Theirperceptions of themselves? Other peoples perceptions ofblackAmericans?4. How are various notions of family treated in AfricanAmerican literature?Standard Statements
The student reader will :
11-12.RI.1 Cite strong and thorough textual evidence to supportanalysis of
what the text says explicitly as well as inferences drawn fromthe text,
including determining where the text leaves mattersuncertain.
11-12.RI.2 Determine two or more central ideas of a text andanalyze their
development over the course of the text, including how theyinteract and
build on one another to provide a complex analysis; provide anobjective
summary of the text.
11-12.RI.3 Analyze a complex set of ideas or sequence of eventsand explain
how specific individuals, ideas, or events interact and developover the
course of the text.
Examples and Explanations
English 5, 6
1. Survey the textual representation of racial progress anduplift in post-Civil War black fiction and political writing.Prepare for a formal poster
session presentation in which you examine how the traditions inblack
writing during the era of Reconstruction anticipated concernsraised in
W.E. B. DuBois seminal work, Souls of Black Folk(1903). In
particular, examine how the specter of slavery haunted a new andradical
vision for racial uplift in the uncertain decades leading up tothe early
twentieth century. Explore how ideologies of racial progress andupliftexposed certain class- -related difficulties in theproduction of a post-
emancipation black identity.
2. Determine how late nineteenth-century African-Americanwomenwriters handled issues related the Reconstruction era (focuson Ida B.
Wells, Anna Julia Cooper and Frances Ellen Watkins Harper).
3. In your literature circles, use a discussion graphicorganizer to reflect onhow works written by African Americans(especially works from Booker
T. Washington, Ida B. Wells, W.E.B. Dubois) started to alterthe
accepted view of black people and the treatment they receivedin
America.
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English 7, 8
1. Conduct a mini-inquiry into legal documents of the 20 thCentury thatmost directly impacted life for black Americans. In anargument essay,
consider how these documents have impacted life incontemporary
American society.
2. Watch and analyzeImitation of Life and read excerpts fromseveralbooks and articles that deal with passing, such as NellaLarsons Passingand Passing and the American Dream, accessible atSalon.com. Prepare
for a Socratic Seminar discussion in which we will considerpositive and
negative aspects of racial passing.
3. Using Socratic Discussion graphic organizer regarding racialpassing,write a persuasive (argument) essay based on the content ofclass debate.
Personally reflect on your own ideas about passing and actingwhite or
assimilating in todays society.
In the previous grade band
Students were expected to cite and draw inferences from thetext, examine
the development of the central ideas, and analyze how theauthors analysis
of the text shapes the development of its events and ideas.
EXAMPLE INSTRUCTIONAL STRATEGIES
Cornell Note-Taking System
Students use an adapted version of the Cornell System forNote-Taking while they read. Using the basic page format of Cue(Recall) column, Summary
section and Note Taking area, students take their notes as theyread rather than as they listen to a lecture. A full explanation ofthe Cornell System for
Note-Taking is availableathttp://www.montgomerycollege.edu/Departments/enreadtp/Cornell.html
Jigsaw
Use the jigsaw approach to reading by dividing the text intosegments so that each student is responsible for only one segmentor one idea. Students then
share knowledge learned with the class. Students are lessintimidated when they have a smaller amount of text to process, butthey still are practicing deep
reading skills.
Double-Entry Journal
Students keep double-entry journals as they read. In theleft-hand column, the student copies or summarizes text which isintriguing, puzzling or moving or
which connects to a previous entry or situation. In theright-hand column, the student reacts to the quotation or summary.The entry may include a comment,
a question, a connection made or an analysis.
Socratic Seminar
http://www.montgomerycollege.edu/Departments/enreadtp/Cornell.htmlhttp://www.montgomerycollege.edu/Departments/enreadtp/Cornell.htmlhttp://www.montgomerycollege.edu/Departments/enreadtp/Cornell.htmlhttp://www.montgomerycollege.edu/Departments/enreadtp/Cornell.html7/28/2019 TUSD draft African American literature curriculum
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A Socratic Seminar provides autonomy for the students in acommunal format in which students must cite strong and thoroughtextual evidence to support
analysis of what the text says. Areas to explore include how theauthor uses the development of the central idea or argument and howthe ideas/argumentsinteract with each other. More information aboutthe Socratic Seminar can be found at
http://www.saskschools.ca/curr_content/bestpractice/socratic/index.html
Ruetzel, D. Ray and Robert B. Cooter. Strategies for ReadingAssessment and Instruction: Helping Every Child Succeed. UpperSaddle River: Pearson
Education, Inc., 2003. Ruetzels and Cooters text provides 16chapters that highlight numerous strategies a nd resources thathave proven to be beneficial inassisting students with readinginstruction.
http://www.saskschools.ca/curr_content/bestpractice/socratic/index.htmlhttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.htmlhttp://www.saskschools.ca/curr_content/bestpractice/socratic/index.html7/28/2019 TUSD draft African American literature curriculum
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thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 16 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
CraftandStructure
Strand: Reading Informational Text Grades 11-12
Cluster: Craft and Structure
Enduring Understanding: Informational text, like all creativeproducts, demonstrates style and craftsmanship. Readers can respondanalytically andobjectively to text when they understand thepurpose or reason behind the authors intentional choice of toolssuch as word c hoice, point of view and
structure.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How do writers portray power imbalances in literature?2. Doesevery piece of literature by a writer of color need to be read witha critical lens of race or ethnicity?3. What is the reciprocalrelationship between text and the struggle for civil rights?English7, 8
1. How is the concept of race used to construct and reinforcepower relationships?2. How can diction and syntax be intentionallymanipulated to impact meaning and audience?3.
How is rhetoric used differently in informational texts andliterature?Standard Statements
The student reader will:
11-12.RI.4 Determine the meaning of words and phrases as theyare used in
a text, including figurative, connotative, and technicalmeanings; analyze the
cumulative impact of specific word choices on meaning and tone(e.g., how
the language of a court opinion differs from that of anewspaper).
11-12. RI.5Analyze in detail how an authors ideas or claims aredeveloped
and refined by a particular sentences, paragraphs, or largerportions of a text
(e.g., a section or chapter).
11-12.RI.6Determine an authors point of view or purpose in atext andanalyze how an author uses rhetoric to advance that pointof view or
purpose.
Examples and Explanations
English 5, 6
1. After a close reading of contrasting voices in early Americanwritings,participate in a Socratic Seminar in which you examine andcontrast the
uses, purposes, and effects of language choices.
English 7, 81. Read the education platforms of at least 2political parties in the United
States and one party from a different country. Summarizeeach
document and then present your analysis of the overt andcovert
meanings and value statements with your small group.
In the previous grade band
Students were expected to determine the meaning of words andterms and
how they impact the tone of the text, examine how the authorsideas are
developed and refined, and analyze how the author uses rhetoricto shape
the point of view or purpose of the document.
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thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 17 | P a g e
EXAMPLE INSTRUCTIONAL STRATEGIES
Poster Analysis
Students analyze World War II posters, chosen from onlinecollections, to explore how argument, persuasion and propagandadiffer. The lesson begins with
a full-class exploration of the famous, I Want You for the U.S.Army poster, wherein students explore the similarities anddifferences between argument,
persuasion and propaganda, and apply one of the genres to theposter.
Editorial Style
Students select an editorialist whose writing they findcompelling and read five of that writers editorials. Stu dentsanalyze word choice, rhetorical
strategies and effectiveness.
Students choose a current topic and write editorials imitatingthe style of the author.
Students compose an additional writers memo detailing specificparallels between their editorials and the authors editorial.
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Grade)English 7, 8Culturally Relevant African American Viewpoint(12
thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 18 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
IntegrationofKnowledgeandIdeas
Strand: Reading Informational Text Grades 11-12
Cluster: Integration of Knowledge and IdeasEnduringUnderstanding: Integrating knowledge and ideas from informationaltext expands the knowledge base and the perspectives found in text,which
empowers the reader to make informed choices in life.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How have segregation and desegregation affected thedevelopment of African American stories and identity?2. How doesthe historical context influence power dynamics?3. How doescolonization impact the development of a cultures stories and apeoples identity?English 7, 8
1. How is the concept of race used to construct and reinforcepower relationships?2. How has racism affected American society onthe individual and larger group level?3.
What social conditions foster the rise of politicalactivism?Standard Statements
The student reader will:
11-12.RI.7 Integrate and evaluate multiple sources ofinformation presented
in different media or formats (e.g., visually, quantitatively)as well as in
words in order to address a question or solve a problem.
11-12.RI.8 Delineate and evaluate the reasoning in seminal U.S.texts,
including the application of constitutional principles and useof legal
reasoning (e.g., in U.S. Supreme Court majority opinions anddissents) and
the premises, purposes, and arguments in works of publicadvocacy (e.g.,The
Federalist,presidential addresses).
11-12.RI.9 Analyze seventeenth-, eighteenth-, andnineteenth-century
foundational U.S. documents of historical and literarysignificance
(including The Declaration of Independence, the Preamble tothe
Constitution, the Bill of Rights, and Lincolns Second InauguralAddress)
for their themes, purposes, and rhetorical features.
Examples and Explanations
English 5, 6
1. How did early American writings from indigenous populationsdifferfrom early American writings from Western European immigrantsand
descendants of those immigrants? Closely examine differencesin
themes, purposes, and rhetorical features. Present your findingsin a
well-crafted informative/explanatory essay.
English 7, 81. Select three separate presidential addresses thatpresented in three
different mediums. Present a lesson to the whole class teachingthe
content and form of the addresses with emphasis on historicalandpolitical context, rhetorical decisions, and connection toactual, eventualaccomplishments of the president.
In the previous grade band
Students were expected to examine various text presented indifferent
mediums, delineate and evaluate arguments, and analyze thethemes and
concepts of seminal U.S. documents of historical and literarysignificance.
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thGrade)
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Tucson Unified School District 19 | P a g e
EXAMPLE INSTRUCTIONAL STRATEGIES
Compare/Contrast
Students read Letter from Birmingham Jail and then evaluate apicture, a cartoon and a video relating to civil rights.
Students compare and contrast the message in the original textto the messages in the picture, cartoon and video.
(Frames of Mind: A Rhetorical Reader with Occasions forWritingby Robert Dianni and Patsy Hoy)
Create Your Own Historical Document
Before reading historical documents, students create one oftheir own (e.g., farewell address to their classmates, a state ofthe union about their
accomplishments and goals over the past year). Then, afterdiscussing themes and content of their own, students read theoriginal document. This strategy
scaffolds them into understanding the genre.
Suitable for Texting
Students analyze 17th-, 18th- and 19th-century foundational U.S.documents of historical and literary significance for their themes,purposes and rhetorical
features.
Basic: Rewrite the Mayflower Compact into a message suitable fortexting. Define the audience, research the meaning of theunfamiliar words, determine
to whom the text would be sent, etc.
Extended: Write a four-sentence prcis for the MayflowerCompact.
Summarizing a historical document into four sentences or into amodern texting format hones analytical skills to find the importantdetails. Have students
consider the audience of both the original and a new audience.Students could create a new compact using the basic argument of theMayflower Compact.
http://oregonstate.edu/instruct/phl201/modules/rhetorical-precis/sample/peirce_sample_precis_
http://http://www.uhv.edu/ac/research/prewrite/pdf/sources.pdf
http://www.jstor.org/pss/40031761
Time Period Comparison
Students compare texts from a time period on an issue withhistorical events resulting from those beliefs. End with a seminarletting students draw and
support their own conclusions. Students need to synthesizematerials and evaluate the information.
http://oregonstate.edu/instruct/phl201/modules/rhetorical-precis/sample/peirce_sample_precis_http://oregonstate.edu/instruct/phl201/modules/rhetorical-precis/sample/peirce_sample_precis_http://oregonstate.edu/instruct/phl201/modules/rhetorical-precis/sample/peirce_sample_precis_http://http/www.uhv.edu/ac/research/prewrite/pdf/sources.pdfhttp://http/www.uhv.edu/ac/research/prewrite/pdf/sources.pdfhttp://http/www.uhv.edu/ac/research/prewrite/pdf/sources.pdfhttp://www.jstor.org/pss/40031761http://www.jstor.org/pss/40031761http://www.jstor.org/pss/40031761http://www.jstor.org/pss/40031761http://http/www.uhv.edu/ac/research/prewrite/pdf/sources.pdfhttp://oregonstate.edu/instruct/phl201/modules/rhetorical-precis/sample/peirce_sample_precis_7/28/2019 TUSD draft African American literature curriculum
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Grade)English 7, 8Culturally Relevant African American Viewpoint(12
thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 20 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
RangeofReadingand
TextComplexity
Strand: Reading Informational Text Grades 11-12
Cluster: Range of Reading and Text Complexity
Enduring Understanding: In order to meet the rigorous demands ofcollege and/or the workforce, students must be able to read andcomprehendincreasingly complex literary text. Through extensivereading of a variety of genres from diverse cultures and a range oftime periods, students will gain
literary knowledge and build important reading skills andstrategies, as well as become familiar with various text structuresand elements. When teachers
match students with challenging, engaging text in the classroomit creates an atmosphere that helps to nurture curious, capable andcritical readers.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. What is the reciprocal relationship between text and theBlack Power movement?2. How do different genres of informationaltext represent complex ideas?3. What were the purposes of art andliterature during the Harlem Renaissance?4. How can a readerdetermine the purpose of a text and whether or not that purpose ismet?English 7, 8
1. Can a text be objective?2. How was the categorization ofblackness set in opposition to whiteness?3. What types of text werethe most important in the social justice movements of Americaspast?Standard Statements
The student reader will:
11-12.RI.10 By the end of grade 11, read and comprehendliterary
nonfiction in the grades 11-12 text complexity bandproficiently, with
scaffolding as needed at the high end of the range. By the endof grade 12
read and comprehend literary nonfiction at the high end of thegrades 11-12
text complexity band independently and proficiently.
Teachers need to match complex, grade-appropriate texts totheir
students.
Examples and Explanations
English 5, 6
*see previous sample examples and reading lists
English 7, 8
*see previous sample examples and reading lists
In the previous grade band
Students were expected to read and comprehend literature,including stories,
dramas and poems, in the grades 9-10 text complexity bandproficiently,
with scaffolding as needed at the high end of the range. By theend of grade
10, students were expected to read and comprehend literature,including
stories, dramas and poems, at the high end of the grades 9-10text
complexity band independently and proficiently.
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thGrade)
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Tucson Unified School District 21 | P a g e
EXAMPLE INSTRUCTIONAL STRATEGIES
Text Complexity
Students use a readability program to find text complexity thataligns to their grade level. Before students can accept thechallenge of accelerating text
complexity, they should understand just what it is, how writersachieve it, how it affects understanding or enjoyment of reading.We read for different
purposes (e.g., college vs. high school text, consumer cameramanual vs. heavy equipment manual). Students need a cadre ofreading techniques to manage
between college, the workplace and the marketplace.
Basic: Students select a complicated instructional manual for aconsumer product (e.g., Video Camera Manual), and judge theeducation level of theconsumer. Students then determine whatadjustments could be made in the directions to simplify themanual.
Extended: Compare high school chemistry text readability with aCollege Level I Chemistry text. What additional skills does thecollege student need in
order to be successful with the college text? Compare textcomplexity in a chemistry or social studies text, college text,etc. For more information, visit
http://www.achieve.org/node/946
Directed Reading Teaching Activities
Use Directed Reading Teaching Activities (DRTA) with students toactivate their prior knowledge, prompt them to make predictions andtest their
hypotheses through the reading.
Students read selection title (and perhaps a bit of theselection) and make predictions about content.
Students read to first predetermined stop. They confirm, refineor reject their initial hypotheses and justify their ideas withreference to the text. Students
then make new hypotheses.
Students read the next section and follow procedures in steptwo. This cycle continues until text is read.
An explanation of the Flesch-Kincaid Reading Ease formula islocatedathttp://www.readabilityformulas.com/flesch-reading-ease-readability-formula.php
http://www.achieve.org/node/946http://www.achieve.org/node/946http://www.readabilityformulas.com/flesch-reading-ease-readability-formula.phphttp://www.readabilityformulas.com/flesch-reading-ease-readability-formula.phphttp://www.readabilityformulas.com/flesch-reading-ease-readability-formula.phphttp://www.readabilityformulas.com/flesch-reading-ease-readability-formula.phphttp://www.achieve.org/node/9467/28/2019 TUSD draft African American literature curriculum
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thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 22 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
Strand: Writing
Clusters in this strand:
Text Types and Purposes
Production and Distribution of Writing Research to Build andPresent Knowledge Range of Writing
Anchor Standards Assessment Summary: For students to be collegeand career reader, writing is a key means of asserting anddefending claims, showing what
they know about a subject, and conveying what they haveexperienced, imagined, thought, and felt. They need to know how tocombine elements of different kinds
of writingfor example, to use narrative strategies withinargument and explanation within narrativeto produce complex andnuanced writing. They need to be
able to use technology strategically when creating, refining,and collaborating on writing. They have to become adept atgathering information, evaluating sources,
and citing material accurately, reporting findings from theirresearch and analysis of sources in a clear and cogent manner. Theymust have the flexibility,
concentration, and fluency to produce high-quality first drafttext under a tight deadline as well as the capacity to revisit andmake improvements to a piece of writing
over multiple drafts when circ*mstances encourage or requireit.
Instructional Resources:
Source: ADE/ELA Committee http://www.azed.gov
http://commoncore.org
See Appendix A for Text Complexityhttp://www.corestandards.org/assets/Appendix A.pdf
See Appendix B for Text Exemplarshttp://www.corestandards.org/assets/Appendix B.pdf
See Appendix C for Writing Exemplarshttp://www.corestandards.org/assets/Appendix C.pdf
Vocabulary:http://www.tn.gov/education/ci/doc/VOCABULARY.pdf
Diverse Learners:
English Language Learners: -(ELLs in an ELD Program will use theELP standards for English Language Development- See Standardsat
http://www.azed.gov/english-language-learners/elps/
For more guidance on the ELLs and the Common Core please seehttp://www.corestandards.org/assets/application-for-english-learners.pdf
For additional effective instructional strategies see SIOPStrategies at:http://www.misd.net/bilingual/ELL.pdf
http://www.azed.gov/http://www.azed.gov/http://commoncore.org/http://commoncore.org/http://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.azed.gov/english-language-learners/elps/http://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.misd.net/bilingual/ELL.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://commoncore.org/http://www.azed.gov/7/28/2019 TUSD draft African American literature curriculum
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thGrade)
CURRICULUM NOT ADOPTED
Tucson Unified School District 23 | P a g e
ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
TextTypesandPurposes
Strand: Writing Grades 11-12
Cluster: Text Types and Purposes
Enduring Understanding: Writers share information, opinions andideas by using multiple techniques and text types. This knowledgeallows them to
communicate in appropriate and meaningful ways to achieve theirintended purpose.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How can a writer or speaker use various literary techniques(i.e., symbolism, motif, metaphor, and tone) to achieve a specificpurpose or goal?2. How do writers portray power imbalances intext?3. How does form/structure impact content?4. How do writersmake decisions regarding content, genre, and voice?English 7, 8
1. How does structure impact content in writing?2. How canwriters challenge and change public consciousness?3.
How can a writer or speaker use various literary techniques(i.e., symbolism, motif, metaphor and tone) to achieve a specificpurpose?Standard StatementsThe student reader will:
11-12.W.1 Write arguments to support claims in an analysis ofsubstantive topics or texts,
using valid reasoning and relevant and sufficient evidence.
a. Introduce precise, knowledgeable claim(s), establish thesignificance of theclaim(s), distinguish the claim(s) fromalternate or opposing claims, and create an
organization that logically sequences claim(s), counterclaims,reasons, and
evidence.
b. Develop claim(s) and counterclaims fairly and thoroughly,supplying the mostrelevant evidence for each while pointing out thestrengths and limitations of both
in a manner that anticipates the audiences knowledge level,concerns, values, andpossible biases.c. Use words, phrases, andclauses as well as varied syntax to link the major sections
of the text, create cohesion, and clarify the relationshipsbetween claim(s) and
reasons, between reasons and evidence, and between claim(s) andcounterclaims.
d. Establish and maintain a formal style and objective tonewhile attending to thenorms and conventions of the discipline inwhich they are writing.
e. Provide a concluding statement or section that follows fromand supports theargument presented.
11-12.W.2 Write informative/explanatory texts to examine andconvey complex ideas,
concepts, and information clearly and accurately through theeffective selection,
Examples and Explanations
English 5, 6
1. Use a narrative response from a journal entry as a basisfor anarrative writing (essay/story) in which you tell a
story (either fiction or literary nonfiction) that addresses
any of the themes or ideas from our most current
readings.
English 7, 8
1. Use multiple class readings about the development oftheconcept of race as the basis for aninformative/explanatory essayabout your understandingof racism in the U.S. This should be adrafted, formal
academic paper in which you cite multiple sources to
establish and support your claims.
In the previous grade band
Students were expected to produce informative and narrative
writings that examine and convey complex ideas, and have
well-developed arguments with valid reasoning, relevant
evidence and well-chosen details.
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organization, and analysis of content.
a. Introduce a topic; organize complex ideas, concepts, andinformation so that eachnew element builds on that which precedesit to create a unified whole; include
formatting (e.g., headings), graphics (e.g., figures, tables),and multimedia when
useful to aiding comprehension.
b. Develop the topic thoroughly by selecting the mostsignificant and relevant facts,extended definitions, concretedetails, quotations, or other information andexamples appropriateto the audiences knowledge of the topic.
c. Use appropriate and varied transitions and syntax to link themajor sections of thetext, create cohesion, and clarify therelationships among complex ideas and
concepts.
d. Use precise language, domain-specific vocabulary, andtechniques such asmetaphor, simile, and analogy to manage thecomplexity of the topic.
e. Establish and maintain a formal style and objective tonewhile attending to thenorms and conventions of the discipline inwhich they are writing.
f. Provide a concluding statement or section that follows fromand supports theinformation or explanation presented (e.g.,articulating implications or the
significance of the topic).
11-12.W.3 Write narratives to develop real or imaginedexperiences or events using
effective technique, well-chosen details, and well-structuredevent sequences.
a. Engage and orient the reader by setting out a problem,situation, or observation andits significance, establishing one ormultiple point(s) of view, and introducing a
narrator and/or characters; create a smooth progression ofexperiences or events.
b. Use narrative techniques, such as dialogue, pacing,description, reflection, andmultiple plot lines, to developexperiences, events, and/or characters.
c. Use a variety of techniques to sequence events so that theybuild on one another tocreate a coherent whole and build toward aparticular tone and outcome (e.g., a
sense of mystery, suspense, growth, or resolution).
d. Use precise words and phrases, telling details, and sensorylanguage to convey avivid picture of the experiences, events,setting, and/or characters.
e. Provide a conclusion that follows from and reflects on whatis experienced,observed, or resolved over the course of thenarrative.
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EXAMPLE INSTRUCTIONAL STRATEGIES
Argumentative Writing Strategies
After frontloading strategies using the SOAPST one strategy,students find and read opinion/editorial examples from differentnewspapers about a single
topic. The students analyze these to determine the strategieswriters use to create a logical argument.
S = subject
O = occasion
A = audience P = purpose
S = speaker
T = tone
More information about this strategy can be foundathttp://faculty.stuartschool.org/~leckstrom/SOAPSToneAnalysisStrategy.htm
Evaluating Models of Performance
Explain the criteria for a particular writing assignment.
Show students models of essays representing a range ofscores.
Have students assess them based on the criteria discussed.
Students can use this knowledge to write their own essay withthe same criteria.
(See Appendix CSamples of Student Wri tingin the Common CoreStandards.)
Podcast
Students podcast personal Web page/Facebook page narratives.Podcasting skills include collaboration, writing, speaking,presentation, communication,
technology, auditory, storytelling and information. In addition,students enhance their media literacy and oral fluency. Examplesinclude This I Believe
(NPR),Laws of Life andDigital Writing Workshop (Troy Hicks).
More information about this strategy can be found at:
http://userwww.sfsu.edu/~nshelley/
http://thisibelieve.org/educators/
http://www.lawsoflife.org/teachers/
http://hickstro.org/
Burkhardt, Ross M. Writing for Real: Strategies for EngagingAdolescent Writers. Portland: Stenhouse, 2003. This text offersvarious strategies used by
veteran middle school teacher Ross Burkhardt. The text can beused as a guide to create an entire academic year of curriculum forwriting.
http://faculty.stuartschool.org/~leckstrom/SOAPSToneAnalysisStrategy.htmhttp://faculty.stuartschool.org/~leckstrom/SOAPSToneAnalysisStrategy.htmhttp://faculty.stuartschool.org/~leckstrom/SOAPSToneAnalysisStrategy.htmhttp://userwww.sfsu.edu/~nshelley/http://userwww.sfsu.edu/~nshelley/http://userwww.sfsu.edu/~nshelley/http://thisibelieve.org/educators/http://thisibelieve.org/educators/http://thisibelieve.org/educators/http://www.lawsoflife.org/teachers/http://www.lawsoflife.org/teachers/http://www.lawsoflife.org/teachers/http://hickstro.org/http://hickstro.org/http://hickstro.org/http://hickstro.org/http://www.lawsoflife.org/teachers/http://thisibelieve.org/educators/http://userwww.sfsu.edu/~nshelley/http://faculty.stuartschool.org/~leckstrom/SOAPSToneAnalysisStrategy.htm7/28/2019 TUSD draft African American literature curriculum
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
ProductionandDistributionofWriting
Strand: Writing Grades 11-12
Cluster: Production and Distribution of Writing
Enduring Understanding: Effective writing is the result of amulti-stage, reflective process in which the writer must develop,plan, revise, edit and rewrite
work to evoke change or clarify ideas. The stages of theseprocesses are enhanced with collaboration and technology.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. How can a writer use multiple language registers to explore,critique, and deconstruct cultural assumptions?2. How does a writershape writing for specific audiences?English 7, 8
1. How can a writer use multiple language registers to explore,critique, and deconstruct cultural assumptions?2. Is technologycritical to professional, scholarly writing?Standard Statements
The student reader will11-12.W.4 Produce clear and coherentwriting in which the development,
organization, and style are appropriate to task, purpose, andaudience.
(Grade-specific expectations for writing types are defined instandards 1-3.)
11-12.W.5 Develop and strengthen writing as needed by planning,revising,
editing, rewriting, or trying a new approach, focusing onaddressing what is
most significant for a specific purpose and audience.
11-12.W.6 Use technology, including the Internet, to produce,publish, and
update individual or shared writing products in response toongoing
feedback, including new arguments or information.
Examples and Explanations
English 5, 6
1. After identifying a specific research area of interest inAfrican Americanhistory, culture, philosophy, or literature, createa site in Edmodo for use
with your peers as a teaching tool. Incorporate primarysources,
graphics, personal reflection/response (blogging), and anintentional,helpful organizational structure.
English 7, 8
1. Critically revise a piece of writing from your portfolio,both self andpeer revision, for submission with college orscholarship application.
In the previous grade band
Students were expected to use technology to producewell-organized writing
that has been developed in multiple stages with a clear purposeand
audience.
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EXAMPLE INSTRUCTIONAL STRATEGIES
Photo Gallery
Students take photographs that illustrate a piece of theirwriting and create a hallway or gallery display of their picturesand writing. Invite faculty and other
classes for an authors talk in the gallery, with each writerreading and discussing his or her work.
Plan Strategy with STOP
Students follow these steps to develop and organize their ideasfor a piece of persuasive writing: Suspendyour judgment andgenerate as many ideas on each side of the argument aspossible.
Take a side.
Organize your notes and ideas and decide which ideas you aregoing to use to support your side and which ideas are going to beused to refute on the
opposing side.
Plan as you write.
This strategy can be teacher led or student directed. With thelast step, writers continue to add, change or delete from theinitial plan. For more information,
visitwww.thewritingteacher.org/writing-blog-home/2008/10/1/research-based-best-practices-for-teaching-writing-a-discussion.html
Brooks, Terry. Sometimes the Magic Works: Lessons from a WritingLife. New York: Ballentine Books, 2004. Brooks text examines thethought process
writers often go through to produce their works. It givesvaluable tips that can be used to help shape the various stages ofa piece.
http://www.thewritingteacher.org/writing-blog-%20home/2008/10/1/research-based-best-practices-for-teaching-writing-a-discussion.htmlhttp://www.thewritingteacher.org/writing-blog-%20home/2008/10/1/research-based-best-practices-for-teaching-writing-a-discussion.htmlhttp://www.thewritingteacher.org/writing-blog-%20home/2008/10/1/research-based-best-practices-for-teaching-writing-a-discussion.htmlhttp://www.thewritingteacher.org/writing-blog-%20home/2008/10/1/research-based-best-practices-for-teaching-writing-a-discussion.html7/28/2019 TUSD draft African American literature curriculum
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
R
esearchtoBuildandPresent
Knowledge
Strand: Writing Grades 11-12
Cluster: Research to Build and Present Knowledge
Enduring Understanding: Writing is a tool for thinking andproblem solving. In order to create new understandings, activatingprior knowledge and
engaging in the process of independent and shared inquiry areessential.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. What has been the role of public education in shaping thecultural identity of black Americans?2. How do black Americansgrapple with the tensions of multiple loyalties (country,community, family, self)?English 7, 8
1. Why are certain aspects of black culture privileged inmainstream society?2. Why did some blackuse passing as a means toassimilate into white American society?3. How does passing suggestthat race is a social construct? Standard Statements
The student reader will
11-12.W.7 Conduct short as well as more sustained researchprojects to
answer a question (including a self-generated question) or solvea problem;
narrow or broaden the inquiry when appropriate; synthesizemultiple sources
on the subject, demonstrating understanding of the subjectunder
investigation.
11-12.W.8 Gather relevant information from multipleauthoritative print
and digital sources, using advanced searches effectively; assessthe strengths
and limitations of each source in terms of the task, purpose,and audience;
integrate information into the text selectively to maintain theflow of ideas,
avoiding plagiarism and overreliance on any one source andfollowing a
standard format for citation.
11-12.W.9 Draw evidence from literary or informational texts tosupport
analysis, reflection, and research.
a. Applygrades 11-12 Reading standards to literature(e.g.,Demonstrate knowledge of eighteenth-, nineteenth- andearly-
twentieth-century foundational works of American literature,
including how two or more texts from the same period treatsimilar
themes or topics).
b. Applygrades 11-12 Reading standards to literary nonfiction(e.g.,Delineate and evaluate the reasoning in seminal U.S.texts,
Examples and Explanations
English 5, 6
1. Create and present a text set in which you consider how artis affectedby society and how art, in turn, influences society.Incorporate class
texts and a specific focusing theme or idea that we haveconsidered in
class discussions or personal reflections/journal writings.
English 7, 81. Through an ongoing examination of subcultures inthe Latino
community in our class readings and independent research,present a
problem that you see today and present potential solutions. Yourfinal
product will include both an argumentative essay and aformal
presentation. Sources should include our readings, onlineresearch anddatabase research. Presentation should include aminimum of three
media components.
2. Analyze works by hip hop artists across the past 30 years.Create agraphic organizer to represent the evolution of ideas andconcepts and
how those ideas have impacted African Americans as well as theimpact
on broader society. You should have specific focal subgroups(i.e.,
gender, class, region) incorporated into your analysis.
In the previous grade band
Students were expected to investigate and evaluate relevant andcredible
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including the application of constitutional principles and useof legal
reasoning [e.g., in U.S. Supreme Court Case majority opinionsanddissents] and the premises, purposes, and arguments in worksof
public advocacy [e.g., The Federalist, presidentialaddresses]).
information from multiple authoritative sources in order toconduct research
projects that can be both short term and sustained.
EXAMPLE INSTRUCTIONAL STRATEGIES
Multigenre/Multimodal Project
This strategy incorporates poems, texts, newspaper articles,art, music, videos, etc., which encourage students to avoidplagiarism through synthesizing
multiple sources on a subject. Students create a self-sustaininggenerated question/problem to solve based on student investigation.(This idea may be
considered as a possible senior or capstone project.)
Evaluating Samples of Teacher-Provided Logical Fallacies
Evaluate the following for appropriate appeals in order toachieve purpose: logic, authority, emotion. Use sample researchpapers, ads, political
commercials and position papers. Students evaluate and usemultiple sources to assess the strengths and limitations of sourcesin terms of the task, purpose
and audience.
Multiple Print and Digital Sources
Students brainstorm a list of items that combine different waysof expressing ideas, such as poster, DVD or a range of print,visual or sound texts. After the
lists are shared, items are identified as texts (audio texts,video texts, etc.). Students then create an inventory ofsignificant texts that they have engaged with
over a specified period of time and discuss why it is importantto interact with a variety of different types of texts. Moreinformation about this strategy can
be foundathttp://www.learner.org/workshops/middlewriting/p5_tr_transcript.html
http://www.learner.org/workshops/middlewriting/p5_tr_transcript.htmlhttp://www.learner.org/workshops/middlewriting/p5_tr_transcript.htmlhttp://www.learner.org/workshops/middlewriting/p5_tr_transcript.htmlhttp://www.learner.org/workshops/middlewriting/p5_tr_transcript.html7/28/2019 TUSD draft African American literature curriculum
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
RangeofWriting
Strand: Writing Grades 11-12
Cluster: Range of Writing
Enduring Understanding: To build a foundation for college andcareer readiness, students need to learn to use writing as a way ofoffering and supporting
opinions, demonstrating understanding of the subjects they arestudying, and conveying real and imagined experiences andevents.
Essential Questions: (refer to Appendix A for extended sampleEssential Questions tied to specific Topics of Study)
English 5, 6
1. When is a piece of writing done?English 7, 8
1. How does writing reflect the identity and values of theindividual and of society?Standard Statements
The student reader will11-12.W.10 Write routinely over extendedtime frames (time for
research, reflection, and revision) and shorter time frames (asingle
sitting or a day or two) for a range of tasks, purposes, andaudiences.
Examples and Explanations
English 5, 6
*see previous sample examples and reading lists
English 7, 8
*see previous sample examples and reading lists
In the previous grade band
Students were expected to write routinely over extended timeframes (time for
research, reflection and revision) and shorter time frames (asingle sitting or day or
two) for a range of tasks, purposes and audiences.
EXAMPLE INSTRUCTIONAL STRATEGIES
Revision Conferences
Encourage revision for selected pieces of writing. Beforerevising, have students use a rubric to self-score their ownpapers. Then, confer with students
individually about their strengths, weaknesses and plans forimprovement. Have students highlight or underline theirimprovements when they submit the
revised version.
Quick Writes/Timed Writing
Students respond to focused prompts that center on key ideas forcurrent task, purpose and audience. Students can reflect asindividuals or as a class on
assignment. Use this strategy as a refocus opportunity whenentering the classroom.
The National Writing Project & Carl Nagin.Because WritingMatters: Improving Student Writing in Our Schools. San Francisco:Jossey-Bass, 2003. This
text offers several strategies, additional resources andresearch centered on teaching students how to become more effectivewriters.
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ELA Curriculum Framework: Culturally Relevant ELA: AfricanAmerican Viewpoint
Strand: Speaking and Listening
Clusters in this strand:
Comprehension and Collaboration Presentation of Knowledge andIdeas
Anchor Standards Assessment Summary: To become college andcareer ready, students must have ample opportunities to take partin a variety of rich, structured
conversationsas part of a whole class, in small groups, and witha partnerbuilt around important content. They must be able tocontribute appropriately to these
conversations, to make comparisons and contrasts, and to analyzeand synthesize a multitude of ideas in accordance with thestandards of evidence appropriate to a
particular discipline. Whatever their intended major orprofession, high school graduates will depend heavily on theirability to listen attentively to others so that they
are able to build on others meritorious ideas while expressingtheir own clearly and persuasively. The Internet has acceleratedthe speed at which connections
between speaking, listening, reading, and writing can be made,requiring that students be ready to use these modalities nearlysimultaneously. Technology itself is
changing quickly, creating a new urgency for students to beadaptable in response to change .
Instructional Resources:
Source: ADE/ELA Committee http://www.azed.gov
http://commoncore.org
See Appendix A for Text Complexityhttp://www.corestandards.org/assets/Appendix A.pdf
See Appendix B for Text Exemplarshttp://www.corestandards.org/assets/Appendix B.pdf
See Appendix C for Writing Exemplarshttp://www.corestandards.org/assets/Appendix C.pdf
Vocabulary:http://www.tn.gov/education/ci/doc/VOCABULARY.pdf
Diverse Learners:
English Language Learners: -(ELLs in an ELD Program will use theELP standards for English Language Development- See Standardsat
http://www.azed.gov/english-language-learners/elps/
For more guidance on the ELLs and the Common Core please seehttp://www.corestandards.org/assets/application-for-english-learners.pdf
For additional effective instructional strategies see SIOPStrategies at:http://www.misd.net/bilingual/ELL.pdf
http://www.azed.gov/http://www.azed.gov/http://commoncore.org/http://commoncore.org/http://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20A.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20B.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.corestandards.org/assets/Appendix%20C.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.tn.gov/education/ci/doc/VOCABULARY.pdfhttp://www.azed.gov/english-language-learners/elps/http://www.azed.gov/english-language-learners/elps/http://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.corestandards.org/assets/application-for-english-learners.pdfhttp://www.
TUSD draft African American literature curriculum - [PDF Document] (2024)
References
- https://thejumpingoffplace.substack.com/p/the-instrument-of-satan-anne-hutchinson
- https://godsblessingsphotographys.blogspot.com/2016/03/the-secret-of-tsl-revolutionary.html
- https://nathaniel-hawthorne.freenovelread.com/page,2,389548-scarlet_letter_barnes_and_noble_classics_series
- https://awlt.weebly.com/blog/creative-project-reflectionviewing-guide
- https://documents.pub/document/tusd-draft-african-american-literature-curriculum.html
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